Photos from the Devil’s Backbone starting at the trail-head in Loveland. … read more . . .
Photos from the Valentine’s Day photo shoot at Tuana Hair Design. None of the models brought me chocolate. It was a sad day. … read more . . .
More photos. More smoke machine. More fun. More, more, more. I always want more. Model: Aubrey Cox … read more . . .
The next photo shoot at Bas Bleu Theatre (http://basbleu.org) is coming up. Tuesday and Wednesday, 21 and 22 February, 2017. If interested in participating contact me to see if I still have openings for models. As usual as models must sign a model release form – you can view the form in … read more . . .
More photos using theatre lighting. This time we got gobos. Model: Stephanie Player … read more . . .
Modern Arts with Kassidy Model: Kassidy McKevitt Music Credit: What I Used To Be by Scott Altham http://ccmixter.org/files/scottaltham/25159 Happy Bird Life by Hebber Zepherin http://ccmixter.org/files/scottaltham/23245 Darkest Child by Kevin MacLeod http://incompetech.com Closing titles music credits: Dense Macabre – Low Strings Finale Kevin MacLeod (http://incompetech.com) Licensed under Creative Commons “Attribution 3.0” … read more . . .
More photos from the Modern Arts photo shoot. Model: Kassidy McKevitt … read more . . .
I actually did some photos without strobes or theatre lights. Instead I used that big lighting source in the sky. Model: Kassidy McKevitt … read more . . .
More photos from the Modern Arts shoot. Cold weather means catching up on photography since I can’t do much trail running. Model: Cora Marie … read more . . .
Video and photos from the 2016 Halloween photo shoot with Tuana Hair Design in Fort Collins, Colorado. Music Credit: Transitional Moment by Scott Altham http://ccmixter.org/files/scottaltham/24942 Doing Too Much by Alex featuring Forensic http://ccmixter.org/files/AlexBeroza/25286 Closing titles music credits: Dense Macabre – Low Strings Finale (OTF credits music) Kevin MacLeod (http://incompetech.com) Licensed under Creative … read more . . .